While some high contenders in the mainstream battled it out last night for a much-desired Grammy, some of the other winners were unintentionally swept under the rug. For the classical genre, though, some artists made out quite well. They included the St. Louis and Seattle symphonies, Pierre Boulez, Jason Vieaux and more.
First, the St. Louis Symphony, conducted by David Robertson, took home the Grammy for Best Orchestral Performance for its recording of John Adams's latest scores: City Noir and the Saxophone Concert. For Adams, the album comes as the second win in three years for an orchestral recording.
Second, the Seattle Symphony, which was nominated for six awards, took home one for Best Contemporary Classical Composition for its recording of John Luther Adams's Become Ocean. The work was inspired by the effect of climate change on the Pacific Ocean, which receieved its premiere by the SSO under Ludovic Morlot in 2013.
Last year, too, it won the Pulitzer Prize for music.
Violinist Hilary Hahn and pianist Cory Smythe shared a Best Chamber Music Grammy for 27 Pieces: The Hilary Hahn Encores, a two-disc set of 27 short, diverse pieces commission by the violinist herself. Hahn noted in her acceptance speech that the project was a decade in the making.
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