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The New Yorker

  • From Cameron Carpenter to Walt Disney, 'Hurricane Mama' Exists in an Organ Genre All Its Own

    The organ's sonic capacity to blow out your eardrums is uncanny. Quite possibly the loudest sound on the planet, the Disney organ — affectionately named "Hurricane Mama" by Terry Riley — is of the echelon. So like Cameron Carpenter's most idiosyncratic International Touring Organ, it resonates beyond compare.
  • Jazz World to Fans: Quit Hating on Satirists, from Django Gold's 'Sonny Rollins: In His Own Words' to Pop Culture

    Jazz music to jazz fans oft seems irreproachable, especially in the context of the most recent Sonny Rollins article by Django Gold in The New Yorker. The article, "Sonny Rollins: In His Own Words" wasn't side-splittingly funny, just a mild stab at the jazz heavyweight. And yet, fans of the Rollins man were inept at lightening up.
  • Django Gold's New Yorker Daily Shout on Sonny Rollins Goads Howard Mandel (and Rollins) Into Response [VIDEO]

    At times, the only thing I find more physically demanding and emotionally exhausting than pursuing a career as a musician has been that of a writer about music. What isn't met with indiscernible apathy and neglect is usually, and very outwardly, criticized--damned to the dusty floor of the internet. Lowercase, indeed.
  • Rise Like a Social Phoenix: Russia's Anna Netrebko Supports Eurovision 2014 Winner, Austrian Drag Queen Conchita Wurst?

    This past weekend, Austrian drag queen Conchita Wurst (née Tom Neuwirth) won Eurovision's 2014 iteration. And now Vlad Putin's favored soprano, Anna Netrebko, has apparently lent her virality to Wurst's LGBQTA cause.
  • Five Quickies: Ballet Star and Son Stabbed, Classical's Hell Week, John Zorn at the Met, Graphic Scores, Stevie Nicks of Thrones

    So, in an effort to keep all you Classicalites abreast of each and every situation, we'll be trawling the web for the best headlines--those stories, those people making the biggest waves.
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