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Advancements in technology have made electronic voice translations available. To help you prepare for your first post-quarantine travel, here are the top instant two-way voice translators to get that second or third language in the bag. -
TRANSLATION: Schoenberg's Pierrot Lunaire, "Ancient Scent"
Lost in the fire of last year's 'Pierrot' centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. To wit, over the past 21 weekdays.. -
TRANSLATION: Schoenberg's Pierrot Lunaire, "Journey Home (Barcarola)"
Part III: 20. "Journey Home (Barcarola)" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Schoenberg's Pierrot Lunaire, "Serenade"
Part III: 19. "Serenade" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Schoenberg's Pierrot Lunaire, "Moon Fleck"
Part III: 18. "Moon Fleck" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Schoenberg's Pierrot Lunaire, "Parody"
Part III: 17. "Parody" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Schoenberg's Pierrot Lunaire, "Cruel Trick"
Part III: 16. "Cruel Trick" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Schoenberg's Pierrot Lunaire, "Nostalgia"
Part III: 15. "Nostalgia" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Crosses"
Teil II: 14. "Crosses" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Decapitation"
Teil II: 13. "Decapitation" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
Swingin’ on the Gallows Pole: Harlots, Hugs and Haupstimme in Schoenberg's "Galgenlied" [TRANSLATION]
With a metrical duration of 13 measures (plus an anacrusis) and an overall existence of slightly less than 20 seconds, "Galgenlied"--the 12th of Arnold Schoenberg's 'Dreimal Sieben Gedichte' from the minor Belgian Symbolist Albert... -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Red Mass"
Teil II: 11. "Red Mass" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set.
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