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Teil II: 14. "Crosses" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Decapitation"
Teil II: 13. "Decapitation" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
Swingin’ on the Gallows Pole: Harlots, Hugs and Haupstimme in Schoenberg's "Galgenlied" [TRANSLATION]
With a metrical duration of 13 measures (plus an anacrusis) and an overall existence of slightly less than 20 seconds, "Galgenlied"--the 12th of Arnold Schoenberg's 'Dreimal Sieben Gedichte' from the minor Belgian Symbolist Albert... -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Red Mass"
Teil II: 11. "Red Mass" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Heist"
Teil II: 10. "Heist" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Pierrot Prayer"
Teil II: 9. "Pierrot Prayer" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set. -
TRANSLATION: Arnold Schoenberg's 'Pierrot Lunaire,' Op. 21 - "Night (Passcaglia)"
Teil II: 8. "Nacht (Passcaglia)" Lost in the fire of last year's Pierrot centennial was translation. After all, it was Otto Erich Hartleben's German--translated from the original French of Albert Giraud--that Arnold Schoenberg had set.
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