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When Rick Ross first emerged on the scene back in 2006, he introduced the world to his Miami drug lord persona with his debut single "Hustlin." Six albums and countless singles later, Ross is sticking to his guns with more drug themed anthems on Hood Billionaire. All in all, the album seems to be a hit or miss, either you will love what Ross has to offer or you will bore easily of his repetitive tales. Check out a round-up of what critics are saying below. -
André Rieu and His Johann Strauss Orchestra Aim for Easy Listening Audience Again with Italian-Themed 'Love In Venice'
Society always celebrates the records that top the Billboard 200 album chart. Back of The Billboards is a Music Times weekly segment that looks at the opposite end: the new record that finished closest to the back of the Billboard 200 for the previous week. We hope to give a fighting chance to the bands you haven't heard of. This week we look at André Rieu and his collection of Italian standards. -
Junk Mail: One Direction, 'FOUR' Album Review
One Direction's new album "FOUR" continues to show growth for the "Night Changes" group. -
Deerhoof Keeps Sound Pleasantly Unique and Results Typically Satisfying on 'La Isla Bonita'
Society always celebrates the records that top the Billboard 200 album chart. Back of The Billboards is a Music Times weekly segment that looks at the opposite end: the new record that finished closest to the back of the Billboard 200 for the previous week. We hope to give a fighting chance to the bands you haven't heard of. -
Syleena Johnson Could USe a Live Band on Vocally Sound 'Chapter 6: Couples Therapy'
Society always celebrates the records that top the Billboard 200 album chart. Back of The Billboards is a Music Times weekly segment that looks at the opposite end: the new record that finished closest to the back of the Billboard 200 for the previous week. We hope to give a fighting chance to the bands you haven't heard of. -
Thurston Moore's 'The Best Day' A Tad Mixtape-ish in Organization but Still Acceptable to Fans of His Work with Sonic Youth
Society always celebrates the records that top the Billboard 200 album chart. Back of The Billboards is a Music Times weekly segment that looks at the opposite end: the new record that finished closest to the back of the Billboard 200 for the previous week. We hope to give a fighting chance to the bands you haven't heard of. -
Killer Mike And El-P Are Relentless In Their Delivery On New Album ‘Run The Jewels 2′ [ROUND-UP REVIEW]
Last year, Killer Mike And El-P took fans by surprise with the release of their first collaborative effort. Now they're back, proving their chemistry wasn't a fluke. The highly anticipated album has been welcomed to much critical acclaim. -
Junk Mail: Taylor Swift '1989' Album Review
Chalk it up to high expectations, but we all know she's better than this. Welcome to Junk Mail, where a few Music Times staffers email back-and-forth about each week's biggest release throughout the work day. -
Kings Kaleidoscope's 'Becoming Who We Are' is a Rare Gem
Prepare to be stunned! Kings Kaleidoscope's first full-length release, 'Becoming Who We Are,' is unabashed alternative praise and stunning worship that will leave you at a loss for words. You'll listen, then you'll listen again and by the end of round 2, you'll wanting to shout Kings Kaleidoscope's praises from the rooftops. -
Sanctus Real Keeps It Sincere and Straightforward on 'The Dream'
Society always celebrates the records that top the Billboard 200 album chart. Back of The Billboards is a Music Times weekly segment that looks at the opposite end: the new record that finished closest to the back of the Billboard 200 for the previous week. We hope to give a fighting chance to the bands you haven't heard of. -
Chris Tomlin – 'Love Ran Red' Delivers God's Love for Us - 101
'Love Ran Red' could possibly be Tomlin's best to date. This is an album that will go straight from your ears to your heart. -
The Game Remains Hungry but Underwhelms with New Album 'Blood Moon: Year of the Wolf' [ROUND-UP REVIEW]
Since the release of his debut album "The Documentary" nearly 10 years ago, The Game has been the crown jewel in West Coast hip-hop. He climbed the ranks among his fellow MCs and captivated many with his lyricism, but many great artists have hiccups in their discography, and the underwhelming "Blood Moon: Year of the Wolf" may be that for the hungry Game.
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