• Dimebag Darrell: Unreleased Song 'Whiskey Road' Surfaces from Late Pantera Guitarist [LISTEN]

    Guitar magazine "GuitarWorld" has unearthed a previously unreleased song by late Pantera/Damageplan guitarist Dimebag Darrell Abbott titled "Whiskey Road", which you can check out below. According to "Rolling Stone," "Whiskey Road" was recorded back in 2001 as Pantera was finishing up their final U.S. tour, with Dimebag playing every instrument on the recording himself. The song has been pressed to a special vinyl flexi-disc by GuitarWorld as a part of their upcoming Dimebag tribute issue, and have even shared the song's guitar tabs.Although Dimebag's work with Pantera and Damageplan was pretty riff-heavy and brutal, "Whiskey Road" is more mellow and country-tinged, with acoustic guitar being the primary instrument, though Dimebag still makes room for some bluesy, distorted guitar solos.You can check out Dimebag Darrell's "Whiskey Road" here:

  • Usher, Migos Get Bold on New Single "I Still Got It" [LISTEN]

    Both Usher and Migos love then some Atlanta, so it was just a matter of time until they pair up to release a new single. And, now we have our wish. Today (Dec. 31), a hot track from Usher and the "Versace" group was released, "I Still Got It."

  • Rich Homie Quan, Yo Gotti Appear on SBOE's 'Better Than Them' with Boosie Badazz [LISTEN]

    Queens hip-hop group SBOE — Slow Bucks Over Everything — have shared a new track titled "Better Than Them," featuring guest appearances by Rich Homie Quan, Yo Gotti and Boosie Badazz, which you can check out below. According to "Hot New Hip-Hop," this track originally appeared earlier this year on an SBOE mixtape, only without the guest spots from Quan, Gotti and Boosie, so this seems like a deliberate attempt to turn this into a hit. The hook is decent enough, so it might actually work — though the "Scarface" sample at the beginning is almost laughably clichéd at this point in the history of hip-hop.You can check out SBOE's "Better Than Them" featuring Rich Homie Quan, Yo Gotti and Boosie Badazz here:Here is SBOE's original version of "Better Than Them," just in case you were curious:

  • Petition Started Because Target Chose White Model to Promote New 'Annie' Film

    Quvenzhané Wallis has become the most sought-after child actress thanks to her leading role as the first black "Annie" in a remake of the legendary musical and hit film. Wallis's performance has earned her a Golden Globe nomination, not to mention a nice, fat paycheck. Target has attached itself to this successful film and has launched a limited Annie clothing collection for young girls. Some see it as a problem that the lead girl in the marketing campaign is a young, white model.A petition has been started on change.org, requesting that the retailer change its ads and then issue Wallis an apology. The actress attended Target's launch party wearing items from the new "Annie" collection to promote it, but then was replaced at the last minute and her fans have taken offense.The petition reads, in part:"Your recent Annie ads and in-store displays depicts [sic] a misleading depiction of the movie as it shows a Caucasian young lady [as] opposed to the star of the film- Quvenzhané Wallis. Though the model is quite professional, she does not speak to the relevance of the movie or main character. When the original Annie came out, everything was about Aileen Quinn or a character/person that emulated her...why not now Target? If you can show it online, show it in ALL of your stores with multiple signage with different girls not one!"Although Annie is a fictitious character, there has been a major uproar from protesters stating that they would not support the movie due to the star being African American. Is [this] the reason why Target maliciously hid Quvenzhané Wallis or refused to use an African American girl to depict Annie in their ads?"

  • A-Trak Looks Back on Hip-Hop in 2014 with New Op-Ed

    A-Trak has become associated with the dance music scene over the past few years, but his roots in hip-hop are deep. He started out as a hip-hop DJ, winning the DMC DJ Championships at age 15. He was Kanye West's touring disc jockey in 2004 and has been a frequent collaborator with other DJs and rappers like DJ Craze, Wale and Cam'ron. He recently penned a new editorial on Medium on the state of hip-hop and how he thinks the genre has shifted so rapidly over the past year in new and fascinating ways.The main shift has been the fact that the status quo in hip-hop has been challenged and it is being broken down. He uses "Yeezus" as his primary example, as "it broke formats of song structure and challenged the industry. One year later, the left field seeped out of the margins and into the mainstream."One of the primary ways the genre has shifted directions is a move online and how new types of sounds and artists are able to get a voice."More than ever, rap and tech go hand in hand. 2014 was the year of SoundCloud rap — why hasn't anybody pointed that out?" he said.His best example is Drake, who has found OVO rappers on SoundCloud and releases the bulk of his music through the platform.

  • Madonna & Miley Cyrus Sharing Weird Love on Instagram: 'Rebel Heart' Singer and 'Bangerz' Star Swapping Photo Manips on Social Media

    In a recent Instagram post, Madonna claimed that she has love for all female artists and that there is room for everybody in the vast world of entertainment. But, lately, it seems as thought the Rebel Heart singer has been showing one modern pop megastar a little more love than some others. Yes, Madonna has joined Miley Cyrus in the world of weird Instagram, with the two chanteuses slinging love and weird photo manipulations back and forth at each other.

  • Eliot Bronson Talks New Self-Titled Solo Album, Working With Grammy-Nominated Producer Dave Cobb, And More On Music Times Studio Sessions [WATCH]

    Atlanta-based Americana musician Eliot Bronson just released his new self-titled album, his third as a solo artist. The record came to life after Bronson sent an unsolicited email to one of Nashville's hottest producers Dave Cobb, whose work with Sturgill Simpson was just nominated for a Grammy. He thought it was a longshot, so when the producer agreed to work with him on the songs he had written, Bronson excitedly went down to Nashville to record for a week in Cobb's home studio. In keeping with the spirit of his favorite Americana records, the 10-track effort was recorded analog to give them an atmospheric and timeless feel.
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