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Reviews

  • Foo Fighters' "Something From Nothing" Review: New Song Roars with Unadulterated Power Thanks to Steve Albini [LISTEN]

    Foo Fighters' new HBO series Sonic Highways and the accompanying new album are right around the corner and in anticipation of the premiere date, today (Oct. 16), Dave Grohl and co. released the record's lead single, the crawling "Something From Nothing."
  • [REVIEW] Toby Keith Shares New Single 'Drunk Americans' [LISTEN]

    Country star Toby Keith loves writing songs about America and getting drunk, so it was only a matter of time before he wrote a song about being a drunk American, which is what he has done with his new single "Drunk Americans." Over a backing track that sounds like a country pop/Irish folk hybrid, Keith sings about putting aside cultural and political differences in the interest of getting wasted.
  • LISTEN: One Direction's 'Steal My Girl' Acoustic Highlights Vocals, Strips Away Glitzy Production

    One Direction is making its tender-hearted lead FOUR single "Steal My Girl" even more personal sounding. Today (Oct. 14), 1D released the acoustic version of its '80s-channeling song, stripping away the bombastic drums and pumping up that piano.
  • REVIEW: Taylor Swift Goes Full Bleachers on 'Out of the Woods' Ahead of '1989' Release Date [LISTEN]

    Taylor Swift may or may not be "Out of the Woods," but the newly branded pop star's new Jack Antonoff (Bleachers) penned single has been released. Initially due for a midnight unveiling, the latest 1989 track appeared online shortly before Oct. 13 was due to end, and it just oozes slow moving power pop potential.
  • Tinashe Wows With Her Debut Album 'Aquarius' After New York Times Critic Calls Her The Next Beyoncé [ROUND-UP REVIEW]

    After non-stop radio spins from her summer hit "2 On," Tinashe released her highly anticipated debut Aquarius to critical acclaim. After being dubbed the next Beyoncé by a critic from the New York Times, the Los Angeles-based songstress received a slew of praises from various other outlets. Check out a round-up of what critics are saying here.
  • 'Before Amen: A Worship Collection' Review

    At the end of the day, 'Before Amen: A Worship Collection' is filled with a calm and soothing strength that is much like Darlene Zschech's song, "My Highest Hope" which is her first recording since battling breast cancer. God is supreme and we are his beloved so our prayer time with Him, those minutes or even moments before amen, fills us with his mighty love and strength.
  • WATCH: 5 Seconds Of Summer "Good Girls" Music Video Turns a Reform School Upside Down

    "Good girls are bad girls who haven't been caught." Or, so decree 5 Seconds of Summer in its new single "Good Girls." Today (Oct. 10), the punky boy band released its latest music video from its self-titled debut album, and the foursome are going to the Reform School for Bad Girls to teach some ladies a lesson or two.
  • Junk Mail: Weezer 'Everything Will Be Alright in the End' Album Review

    Weezer return to form on their new album "Everything Will Be Alright in the End." Welcome to Junk Mail, where a few Music Times staffers email back-and-forth about each week's biggest release throughout the work day.
  • Junk Mail: Lady Antebellum '747' Album Review

    Music Times discusses Lady Antebellum's new album "747," a beautiful piece of country music (sans the bro-y singles).
  • Desperation Band Sets the Standard for Worship with 'Banner'

    The songs found on 'Banner' nurture a relationship with Jesus, regardless of the age of the listener or the stage of their walk. Each and every note honors God and magnifies His love for us.
  • Thom Yorke's 'Tomorrow's Modern Boxes': A Track-By-Track Review

    Yesterday, Radiohead frontman Thom Yorke revealed the true meaning behind his mysterious white record by releasing a new solo album "Tomorrow's Modern Boxes" through Bit Torrent. Here's a track-by-track review of Yorke's surprise album.
  • Mandisa Get Up: The Remixes

    Mandisa's remix project, 'Get Up: The Remixes,' took some of her already dance-ready songs and made them even better. Some tracks got a little faster while some slowed down a bit, but regardless of what treatment they got, the end result was pure fun with touches of electronica and a lot of fearlessness.
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