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The posthumous Aaliyah record that has been rumored since 2012 is no longer happening, according to Noah "40" Shebib. In an interview with Vibe, he revealed that he has officially left the project. -
New York Super Bowl concert series to feature The Black Keys, John Legend, Band of Horses
The Super Bowl is about to get some "Everlasting Light." The Black Keys, Band of Horses and John Legend have partnered up with Citi and some of sport's biggest stars for a series of concerts in New York leading up to the biggest night in football. -
Pandora stock reaches all-time high after successful 2013
More good news for fans of radio, or those looking to invest in radio: Internet radio service Pandora saw shares of its company hit an all-time high on Tuesday. Pandora's (P.) shares reached $33.70 a pop before evening out a bit and closing the day at $32.44. So why the positive prognostication? -
Beyoncé gifts Blue Ivy with birthday song, 'God Made You Beautiful' [LISTEN]
Yesterday was Blue Ivy Carter's second birthday. To celebrate the little tyke, Beyoncé debuted a new song, "God Made You Beautiful," on Jay Z's Life + Times blog. The song was originally teased on Bey's Life Is But A Dream documentary. -
Clear Channel heading to Austin for iHeartRadio Country Festival in March, featuring Luke Bryan, Jason Aldean and more
Clear Channel is going country, y'all. The radio giant, who have also launched the massively successful, genre-spanning iHeartRadio Music Festival in Las Vegas have announced a second concert series: the iHeartRadio Country Festival today (Jan. 8). -
Lucy Hale releases road trippin' 'You Sound Good To Me' music video [WATCH]
It's been only one day since "Pretty Little Liars" actress Lucy Hale released her debut country single "You Sound Good To Me," and the feel good pop-infused track has already received an official music video. -
'Every Breath You Take' makes Sting almost $2,000 every day.
Most musicians make most of their money by touring and playing live. Unless you're a big name, recording alone isn't going to put food on the table. Waiting for royalties to come in from downloads and leasing your music out is an even less stable way to earn a buck. Sting can get by with his earnings from recording, but as a story on CelebrityNetWorth.com shows, the former Police bassist ain't doing bad from royalties either. Specifically, royalties from classic "Every Breath You Take." According to the site, the bassist/vocalist makes nearly $2,000 a day from the single's royalties. -
Kanye West issues cease-and-desist letter Coinye West cryptocurrency creators
If you want to name a virtual joke after Kanye West, be warned: the rapper does not take his name and likeness lightly. Last week, Music Times reported that a new cryptocurrency, Coinye West was set to launch Jan. 11. Instead of being flattered that the Internet money would be named after him, Yeezus himself has issued Coinye West's creators a cease-and-desist letter. -
Paul Simon tribute concert set for New York in March featuring The Civil Wars' Joy Williams and Bob Mould
On March 31, the tenth installment of the tribute series thrown by City Winery owner Michael Dorf will honor Paul Simon at New York City's Carnegie Hall. Dorf has put on the event over the previous nine years to raise money for music education. -
Review: Enrique Iglesias, Pitbull release familiar sounding 'Freak' [LISTEN]
They're at it again. After they're smash hit "I Like It," Enrique Iglesias and Pitbull have come together for a new song, fittingly titled "Freak." -
BBC will air one of the last interviews with The Doors' keyboardist Ray Manzarek this Friday
One of the final interviews with The Doors keyboard player Ray Manzarek will air as part of a new three-part BBC4 series Born To Be Wild: The Golden Age of American Rock Friday Jan. 10. -
The Column: Five Great Modern Operas That the New York Times Music Staff Missed!
The New York Times has published an interesting piece, their classical music writers giving their thumbs-ups to the modern operas they consider the most likely candidates for perennial popularity. Which, in opera terms, means at least a production every year or two...
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