• Gwen Stefani 'This Is What the Truth Feels Like' Review: Junk Mail

    here was a good bit of potential on this album -- the power and poppy punch of "Make Me Like You," "Misery" and "Used to Love You" proved that. But, once you moved away from the teaser tracks (and album standout "Truth," which should be the next single), there wasn't much here. But, even if the results were a little mixed, I will say it's nice to hear Gwen writing from an honest place again.

  • Rihanna 'ANTI' Album Review: Junk Mail

    Welcome to Junk Mail, where a few Music Times staffers email back-and-forth about each week's biggest release throughout the work day. This week, Carolyn Menyes, Ryan Middleton, John Gonzalez and Lindsay Haddox chat about Rihanna's new album, ANTI.

  • Adele '25' Album Review: Junk Mail

    Welcome to Junk Mail, where a few Music Times staffers email back-and-forth about each week's biggest release throughout the work day. This week, Carolyn Menyes, Ryan Middleton, John Gonzalez and Lindsay Haddox chat about Adele's new album, 25.

  • Justin Bieber 'Purpose' Album Review: Junk Mail

    Welcome to Junk Mail, where a few Music Times staffers email back-and-forth about each week's biggest release throughout the work day. This week, Carolyn Menyes, Ryan Middleton, John Gonzalez and Lindsay Haddox chat about Justin Bieber's new album, Purpose.

  • Ellie Goulding 'Delirium' Album Review: Junk Mail

    Ellie Goulding has stated that she is trying to step away from indie and EDM to become a bonafide pop star. Her voice is among the most unique in pop music today, which has helped carry her through the Lights and Halycon album cycles. Now three years removed from Halycon and building on the success of the sultry "Love Me Like You Do." Goudling attempts to break out as a superstar with Delirium.

  • 5 Seconds of Summer 'Sounds Good Feels Good' Album Review: Junk Mail

    5 Seconds of Summer is still trying to find the balance between pop and punk, but Sounds Good Feels Good demonstrates good growth for this Aussie foursome. Lyrically, this album is far more mature than the band's self-titled debut and these guys still know how to craft a good hook. Now, they just need to break away from that "boy band" stigma and they can potentially usher an era of rock back onto the charts.
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